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中国香港·话剧《泰特斯2.0》 2016第十二届上海当代戏剧节
2020-04-18 19:02:01

 2016第十二届上海当代戏剧节参演剧目 


中国香港·话剧

《泰特斯2.0》

Drama

Hong Kong SAR, China

Titus Andronicus 2.0


第十九届香港舞台剧奖十大最受欢迎制作

国际级导演邓树荣大胆形体剧场手法


短暂的胜利喜悦

永恒的残酷痛苦


Top Ten Most Popular Performances, 19th Hong Kong Drama Awards

An audacious physical theatre approach by internationally renowned theatre director Tang Shu-wing to Shakespeares goriest revenge classic


The Joy of Victory Is Short-lived

The Pain of Atrocity is Eternal


邓树荣戏剧工作室制作

• 粤语对白·中英文字幕

• 演出时长:约75分钟(无中场休息)

• 演出时间:11月18日 19:30  11月19日 14:00/19:30  11月20日 14:00

• 演出地点:上海话剧艺术中心·D6 空间(安福路288号6楼)

• 演出票价;180/280元

* 迟到者须待节目适当时候方可进场    

* 建议12岁以上观众观看


A Tang Shu-Wing Theatre Studio Production

• In Cantonese with CH & EN surtitles

• Duration: 75mins (No Intermission)

•Date: 7:30pm Nov 18-19 / 2:00pm Nov 19-20

•Venue: Shanghai Dramatic Arts Centre-Studio D6

 (6 Floor, No 288, Anfu Road)

•Price:RMB180/280

* No latecomers will be admitted until a suitable break in the programme

* Not suitable for children under 12 


故事梗概

Synopsis

经历10年战火,罗马将军泰特斯大败哥特王国,凯旋回归,然而战胜的喜悦却是短暂的。罗马新帝萨特尼欲娶大将军泰特斯之女拉维尼娅为妻,遭受反对,遂转娶战败国女皇塔摩拉为后。塔摩拉与其黑奴艾伦为报亡国之痛,让儿子强暴了拉维尼娅,并割下她的舌头、砍掉双手/泰特斯以眼还眼,把塔摩拉的儿子制成肉批款待其母。

。本剧由香港导演邓树荣执导,2009年首演时被誉为香港当代剧场最重要事件之一,并获得第十九届香港舞台剧奖,其后更于欧亚六个城市巡演。邓树荣起用崭新大胆的剧场手法,以形体剧场的说书形式,加入现场音乐及形体语汇,展现罗马大将泰特斯以眼还眼的复仇经典。

《泰特斯2.0》的焦点回归剧场核心。演员将直面观众,省去所有不必要的舞台元素,留下空的舞台与简洁的灯光,七张椅子以及七名穿梭于说书人与角色之间的表演者。密集式的整体协作训练配合即兴实验演化出不同的说书形式,承载着表演者由内而发的巨大能量。


The play was taken on tour to six cities in Europe and Asia after its premiere in Hong Kong in 2009.


Titus Andronicus 2.0 is a work of physical theatre in storytelling form with an audacious and ground-breaking theatre directing approach. It focuses on the core of theatre where minimalism takes over: the removables are removed on an empty stage floor lit measurably on seven chairs and actors, commuting between the capacities of the characters and narrators. The play is an adventurous exploration of all kinds of possibilities in theatre, leading the audience to embark on a journey of soul-searching, awakening and mind purification.


Titus Andronicus  is the first of Shakespeare's tragedies and still a controversial work to these days because of its gory content. The story is about the Roman general Titus Andronicus, who has defeated the Goths. The new Roman emperor wants to marry Titus's daughter, Lavinia, but met with objection. He so marries Tamora, Queen of the defeated Goths, instead. To seek revenge against Titus, Tamora and her slave Aaron the Moor let Tamora's sons rape Lavinia. Titus then feigns madness and plots his revenge.


Titus Andronicus 2.0  represents an adventurous expedition to all possibilities of theatre, where all audience members are presented with  an  entry  to  the  vicinity  filled  with  primal  forces  and  lush imaginations, embarking on a voyage of self-reflection, awakening and  internal  cleansing.  Tang's  approach  combining  intensively collaborative  training  and  multiple  narrations  from  improvised experimentation results in radiantly gigantic energy.  


邓树荣戏剧工作室

Tang Shu-wing Theatre Studio


邓树荣戏剧工作室前身是创立于1996年的“无人地带”。“无人地带”创作的作品超过20项,曾应邀参加纽约韩信国际木偶戏剧节、旧金山鬼节、香港艺术节、澳门艺穗节及新加坡华艺节,并曾获香港舞台剧奖多个奖项。2009年“无人地带”改名为“邓树荣戏剧工作室”,定位为一所戏剧硏创中心,透过推动创意剧场作品,鼓励观众于生活上有所追求。

邓树荣戏剧工作室为注册慈善团体,2012年至2017年为香港艺术中心驻场艺团。长寿剧目《打转教室》首演于2011年,2012年于英国爱丁堡艺穗节上演三星期,获传媒五星级评价,并于艺穗节二千多个作品中获选为第55位。同年9月及12月在港作二度及三度公演,10至12月完成北京、上海、杭州、汕头及深圳的巡演,更应中央电视台邀请拍摄演出片段。

2013及2014年于香港作第四及五度公演。2014年2月及8月获邀请到澳门及加拿大演出,9月及10月到广州及11月在 Clockenflap 香港音乐及艺术节作选段演出,目前公开演出场次已超过一百场。另一重要作品《泰特斯》则获邀于2012年参加伦敦文化奥运,在环球剧场演出,2013年应邀于德国柏林及诺伊斯演出,同年10月电影版于在香港公演。《泰特斯2.0》于2011及12年巡演新加坡、挪威、波兰、北京及台北。《舞·雷雨》于2012年香港新视野艺术节首演后,旋即获邀请在2013年新加坡华艺节演出,翌年于中国台北关渡艺术节演出,为“香港周2014”代表节目之一。,9月于香港重演《泰特斯2.0》。2016于香港艺术节重演《马克白》。

2014年起,工作室获香港特别行政区政府艺能发展资助计划的跃进资助及利希慎基金资助,开展为期三年之“形体戏剧训练课程”。课程自开办以来广获肯定,于今年4月获香港艺术发展局颁发“2015香港艺术发展奖艺术教育奖(非学校组)”。


Tang Shu-wing Theatre Studio, a registered charity, was formerly known as No Man's Land  which  was  founded in 1996. The more renowned works of No Man's Land include Three Women in Pearl River Delta  (1997),  Millennium  Autopsy  (1999),  My Murder Story (1999), The Hour We Knew Nothing of Each Other  (2000), Between Life and Death  (2002), Deathwatch (2002) and The Two or Three Ways of Making Love around Sunset  (2003). Works of No Man’s Land have been presented at the Henson International Puppet Theatre Festival of New York, San Francisco Ghost Festival, Hong Kong Arts Festival and Macau Fringe Festival and have received a number of awards in the Hong Kong Drama Awards.


In 2009, No Man's Land was renamed Tang Shu-wing Theatre Studio, with the mission to bring quality theatre works to a wider audience. Embracing  physical  theatre  and  minimalism  as  its  artistic  direction, the Studio envisions to bring the new insights to Hong Kong theatre and inspire audience to quest for better life.


The works of the Studio include Titus Andronicus, Titus Andronicus 2.0, Next Generations  (co-produced with Drama Box, Singapore), Detention, Thunderstorm and Macbeth. Titus Andronicus was invited to the Globe to Globe Festival at the Shakespeare's Globe in the London  Cultural Olympiad 2012, being the first ever Cantonese performance at the theatre. 2012 also saw the international tour of Titus Andronicus 2.0 to Fredrikstad (Norway), Wroclaw and Bytom (Poland), Beijing and Taipei, whilst Detention, before embarking on a five-city tour in Mainland China, stunned the UK media at the Edinburgh Festival Fringe 2012. Thunderstorm,  premiered at the New Vision Arts Festival of Hong Kong in October 2012, performed at the Huayi Festival of Arts in Singapore in 2013 with enthusiastic reception. In 2014, it was further brought to the Kuandu Arts Festival in Taipei as a Hong Kong Week representative, and to Beijing in 2015, for staging at the National Centre for the Performing Arts.


In August 2015, Studio was invited to premiere Macbeth at Globe and re-run Detention at Edinburgh Fringe Festival. Titus Andronicus 2.0 was re-run in Hong Kong in 2015 as well as Macbeth at the Hong Kong Arts Festival 2016.


With the support of the Springboard Grant under the Arts Capacity Development Funding Scheme of the HKSAR Government and the Lee Hysan Foundation, the Studio established the Physical Theatre Institute in 2014 with the aim to develop a Hong Kong-based system of cross-cultural  physical theatre training programme. Recipient of the Award for Arts Education (Non-School Division) at the Hong Kong Arts Development Awards 2015.


主创团队

Creative and Production Teams

原著:

改编:庄梅岩

导演:邓树荣

布景设计:曾文通

灯光设计:张国永 *

演员:吴伟硕(梵谷)、黄兆辉、彭珮岚、黄钰基、

黄月儿、谭曾江雁、杜隽饶

现场演奏:梁暐岳

制作人:卢术宾

制作经理/舞台监督/执行舞台监督:洪佩珊    

执行灯光设计:谢征燊

音响设计/助理舞台监督:李文俊  


 * 承蒙香港演艺学院允准参与


特别说明:

11月18日、11月19日 19:30 两场为2016上海·静安现代戏剧谷展演剧目,由静安区政府资助。


Playwright: William Shakespeare

Adaptation: Candace Chong

Director: Tang Shu-wing

Scenographer: Tang Man-tung

Lighting Designer: Leo Cheung*

Actors: Ng Wai-shek, Masu Wong, Ivy Pang, Rocky Wong, Moon Wong, Coco Tam, Dee To

Live Musician: Billy Leong

Producer: Kaya Lo

Production Manager / Stage Manager / Deputy Stage Manager: Chocolate Hung

Deputy Lighting Designer: Mousey Tse  

Sound Designer / Assistant Stage Manager: Neville Li


* With the kind permission of HKAPA


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